- Contrast and Comparison
- Criticism and Analysis
- Making Connections
- Using Narrative to Make a Point
Background – Full disclosure. It’s taking a lot of self-control to stop me from turning Mentor Text Wednesdays into a Hanif Abdurraqib fan column. I discovered him as a poet first, via FreezeRay Poetry, a journal that focuses on pop culture inspired writing. I read what he shared via Twitter, and snapped up his collection of essays, They Can’t Kill Us Until They Kill Us right away, returning a week later to buy the other copy in the store for a friend. His collection of poetry, The Crown Ain’t Worth Much was one of my Christmas book gifts. He’s a powerhouse of a writer, combining identity, race and pop culture in such a way that you are inspired and heartbroken in one fell swoop.
This essay happened into my Twitter feed without my knowing it was Hanif’s writing. It was one of those beautiful moments when the subject caught my attention, and when I clicked through, I discovered I was about to read some new work by one of my favorite writers. I love when that happens.
One of the amazing things about Hanif’s work is how he writes about music. He writes about what he loves so passionately, you want to love it too. (Seriously. I am so not Carly Rae Jepsen’s kind of audience, but he’s got me curious.) He’s not afraid to be honest, and say what he actually thinks, but so articulately, and respectfully, making his writing perfect mentor text material for writing about music. When he writes about music, you feel like you’re part of a dialogue, that someone is working to help you understand why he feels the way he does, yet cares what you think, and wants to hear it. I kind of hope my students feel this, and work to answer him back in a manner approaching the way he writes. Continue reading