NCTE 2014 : Sneak Preview #1

Rebekah and I are gearing up for NCTE 2014 in just a few weeks! This week’s post is a special preview of our presentation: Moving the Writer: Embracing a Vision for a Technique-Driven Workshop. Here is the description printed in the convention program:

What does it take to move the writer and not just the writing? We envision a writing workshop in which ideas come first and form later. Participants will receive a curriculum centered on author’s purpose and elements of craft, mentor texts that cut across genre, and tools that promote independent writers.

The idea is simple: to teach units of study that aren’t organized around genres but around elements of writing that are intrinsic to all kinds of writing. For example, rather than teaching a workshop about memoir or critical review, we might teach a workshop on argument or evidence or punctuation. Students hone their skills in one particular area of writing and choose whatever genre fits their purpose best.

Our presentation will feature a few short interviews with students who experienced a technique-based workshop last year. You can watch one of these videos below–a short but compelling interview with Isabella who talks a little bit about the work that emerged from her technique-driven study (of evidence), as well as her thoughts on genre-based vs. technique-based workshops. Enjoy!

Note: This version of the video is unedited. We will be showing an edited version during our presentation.

Are you coming to NCTE 2014? We would love to connect with you. We will be presenting on SUNDAY at 10:30 in the MAGNOLIA room. Please connect with us @allisonmarchett @rebekahodell1, and let us know where you’ll be!

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Mentor Text Wednesday: Restaurant Review PLUS Interview with Writer

MentorTextWednesday

Mentor Text:

Wells, Pete. “Fred and Barney Would Feel Right at Home.” The New York Times. The New York Times Co. 28 Jan. 2014. Web. 7 April 2014.

Author Information:

“At the Critics’ Table.” The New York Times. The New York Times Co. 3 Sept. 2013. Web. 7 April 2014.

Background:

Driving to work this week, I had an epiphany.

Mentor text study should not be limited to the study of texts but should include the study of the mentors themselves.

Here’s what Katie Wood Ray has to offer on this topic: “In genre studies, particularly, it’s a good idea to find out as much as you can about the people behind the texts you’re reading and the kind of work they do to support their writing. If possible, you may find interviews with writers and either include them in the stack of texts for students to read, or in whole-class gatherings, you might highlight what you think are the important points from the interviews. Also, ask students to pay attention to any author’s notes or information on book jackets that might provide insight into the writers and the work they do” (128).

I had read this passage in Study Driven before, but it didn’t sink in until this week. And then the guilt hit. I use mentor texts religiously but rarely do I stop to talk about the person behind the words.

What message are we sending to student writers about writers when we talk around  authors but not about them?

In an effort to make good on Ray’s suggestion, I immediately went to work to find author information to support the text we’re currently reading in our review genre study–a review of M. Wells Steakhouse in Long Island City, Queens.

How I Used It

Students are in the “immersion” phase of genre study. We are using these questions from Study Driven to frame our reading:

  • What kinds of topics do writers address with this genre and what kinds of things do they do with these topics?
  • What kinds of work (research, gathering, reflecting, observing, etc.) does it seem like writers of this genre must do in order to produce this kind of writing?
  • How do writers craft this genre so that it is compelling for readers?

We read through the review once together.

Students then did a second draft reading in which they paid special attention to the focus questions and made notes in their margins.

Afterwards, we plotted our noticings on the board. Here is the working list that we will continue to add to and refine as we immerse ourselves in several more mentor texts:

Review (Restaurant) – Initial “Noticings”

  • Includes slideshow with images from restaurant
  • Hyperlinks to other reviews of restaurants owned by same couple
  • Introduces the concept of “the steakhouse” and sets essay up to “set apart” the new steakhouse
  • Balances unbiased information about the type of restaurant with opinionated review
  • Compares this restaurant to other restaurants
  • Talks more about the substance/food than the chefs themselves (though he does give a bit of background information)
  • Discusses about 11 dishes
  • Uses the language of food
  • Uses figurative language & comparisons
  • Covers apps, main entrees, and desserts—you feel like he’s tried everything
  • No forecasting statement—he takes us on the journey he experienced
  • Has a 3-sentence conclusion
  • Delivers a rating system at the end: atmosphere through wheelchair access
  • Runs about 3 pages
  • Includes prices
  • Has a creative, captivating title that alludes to a television show
  • Includes LOTS of detailed imagery about each dish
  • Has a star system–how do they assign stars? Are the restaurants being compared to ALL restaurants? or restaurants of their kind?

After we charted the noticings, I shared the following clips to enhance students’ understanding of the work of a restaurant critic, as well as introduce them to Pete Wells, The New York Times restaurant critic.

Video: The restaurant critics’ guide to using disguises and fake names

Video: What actually happens at the critic’s table

If you look back at the list of noticings, you’ll see that my students wondered about the rating system. I was able to show them this clip to help explain how critics assign stars.

Video: NYT restaurant critics demystify the star-rating system

Ray, Katie Wood. Study Driven: A Framework for Planning Units of Study in the Writing Workshop. Heinemann: Portsmouth, 2006.

We’ve added a new section to our dropbox project–a folder called About the Writers–where we’ll post author interviews, author notes, etc.–anything to supplement the study of mentor texts and pay homage to the writers themselves.